Curatorial & Research

“Artificial Lines of Flight” Embassy

23 February – 12 March 2026 – London

Artificial Lines of Flight drifts through zones where code dissolves into organism, where algorithmic absurdity stumbles into meaning, and where machines whisper ruptures into dreams. The exhibition traces escapes—lines that fracture power, unsettle indifference, and open trembling thresholds of the not-yet. Here, difference becomes resistance, uncertainty a vector, absurdity a counter-force to its contemporary forms, and collaboration with machines a flight toward unpredictable becomings.

Throughout its exhibition period, The London Embassy will host an opening talk with Miguel Ripoll and Lewis Brown, as well as a private screening event that extends the immersive format into more participatory and reflective grounds. While Ripoll’s hybrid drawings can be seen in the gallery throughout the exhibition, Lewis Brown’s drawing machine will perform at the opening event, creating a unique drawing in real time.

“Artificial Lines of Flight” Embassy

30 January 2026 Opening – Colchester

Artificial Lines of Flight drift where code dissolves into organism, where algorithmic absurdity stumbles into meaning, where machines whisper ruptures into dreams. The exhibition traces escapes—lines that fracture power, unsettle indifference, and open trembling thresholds of the not-yet. Here, difference becomes resistance, uncertainty a vector, absurdity a counter-force to its contemporary forms, and collaboration with machines a flight toward unpredictable becomings.

The embassy is exhibited at UK’s Roman capital Colchester’s Digital Forum launch opening event.

Artificial Lines of Flight takes inspiration from Deleuze & Guattari’s concept of ligne de fuite — a line of escape, of transformation, of rupture from systems of power, structure, and sense. In this context, the exhibition considers how AI and algorithmic creativity can enact such a line of flight: not only by generating uncanny, absurd, or surprising artefacts, but by unsettling the norms of authorship, aesthetics, and intention. This is not merely an exploration of machine creativity, but a call to consider what emerges when collaboration with machines embraces uncertainty as a condition for political potential. Through this pavilion we invite the audience to consider how embracing uncertainty and unpredictability in human-machine collaboration might open new spaces of resistance and transformation with artists: Blanche The Vidiot, Copy Planet, Francesca Fini, Hyun Cho, Jean-Michel Rolland, Marcus Wallinder, Mark Cypher, Miguel Ripoll, Una Raneta.

Emergence Room

Emergence Room is a podcast series exploring creative practice in moments of transformation. Each episode traces the latent architectures of making: subtle forces, gestures, failures, hesitations, and the evolving conversations between human and machine intelligence. Rather than finished works or polished narratives, the focus is on creation as process—unstable, porous, and dynamic. Created by Artun Özgüner, design historian and researcher in material culture, and ⁠Isil Ezgi Celik⁠, art curator and researcher working across philosophy, digital art, and minoritarian practice, Emergence Room hosts intimate conversations with artists, designers, thinkers, and practitioners across disciplines. Here, creative practice is approached as a fragile, interior ground—where making unfolds under pressure, uncertainty, fear, and transformation. Creation is spoken about while it is still taking shape, before clarity, before resolution. Each episode engages with AI not as a tool to optimise or replace creativity, but as a contemporary condition that uniquely reshapes how practices emerge, shift, and are negotiated.

Emergence Room is a space for transparency, hesitation, and emergence.

🎵 Theme music: Audio from Transmuting Refraction by Dilara Baskoylu

“Artificial Lines of Flight” Pavilion

01 Nov 2025 – 01 Mar 2026

Artificial Lines of Flight drift where code dissolves into organism, where algorithmic absurdity stumbles into meaning, where machines whisper ruptures into dreams. The exhibition traces escapes—lines that fracture power, unsettle indifference, and open trembling thresholds of the not-yet. Here, difference becomes resistance, uncertainty a vector, absurdity a counter-force to its contemporary forms, and collaboration with machines a flight toward unpredictable becomings.

Artificial Lines of Flight takes inspiration from Deleuze & Guattari’s concept of ligne de fuite — a line of escape, of transformation, of rupture from systems of power, structure, and sense. In this context, the exhibition considers how AI and algorithmic creativity can enact such a line of flight: not only by generating uncanny, absurd, or surprising artefacts, but by unsettling the norms of authorship, aesthetics, and intention. This is not merely an exploration of machine creativity, but a call to consider what emerges when collaboration with machines embraces uncertainty as a condition for political potential. Through this pavilion we invite the audience to consider how embracing uncertainty and unpredictability in human-machine collaboration might open new spaces of resistance and transformation. Artists: Blanche The Vidiot, Copy Planet, Domenec Miralles Tagliabue, Domenico Barra, Francesca Fini, Hyun Cho, Jean-Michel Rolland, Jie Shuai, Lewis Brown,  Marcus Wallinder, Mark Cypher, Miguel Ripoll, Mike Petrakis, Mizuho Nishioka, Paulius Sliaupa, Una Raneta, Zivia Li.

The Online Pavilion will run from 1st November 2025 to 1st March 2026.

Click and see Becoming-Machine, our previous VR pavilion and London embassy for The Wrong o6 edition.

“Transmuting Refractions”

14 Nov 2025 – 14 Feb 2026

From the abyssal depths of the ocean to the vastness of skies, deserts, and forests, Transmuting Refractions unfolds as a journey of emergence and transformation. Synthetic creatures, conjured through the delicate interplay of human intuition and machine intelligence, inhabit shifting landscapes that pulse with life, light, and energy.

These beings, at once alien and familiar, trace the evolving relationships between perception, interaction, and imagination, revealing how intelligence itself can emerge through interplay and metamorphosis. The immersive experience envisions a new mythology of technology and creativity, where imagination, computation, and the natural world entwine, producing landscapes that are at once poetic, luminous, and alive.

In this luminous voyage, the viewer moves through a world that is perpetually becoming, where the boundaries between human, machine, and environment dissolve, and creation itself is an ongoing act of transmutation.

“Across Strata” Exhibition 

15 August – 31 December 2025, Online

Craft. Code. Cloth.

Nine AI-assisted visual works traverse the layered systems of matter and meaning. This series by academic and fashion designer Duygu Atalay Onur asks:
How can originality be preserved when AI enters the creative process?

Merging traditional hand-made techniques with machine intelligence, Across Strata opens new creative territories between human touch and algorithmic vision.

This project explores how forms, meanings, and materials metamorphose across different strata; craft, code, and cloth, drawing from the philosophy of Deleuze and Guattari unfolding across AI-assisted visuals works. Inspired by their concept of strata as layered systems of matter and meaning, the work investigates how traditional hand-made techniques can engage with machine intelligence to produce new creative possibilities.

The exhibition is available to view online until the end of the year.

“Beyond Borders” Exhibition 

29 – 30 May 2025, Istanbul 

Beyond Borders is a digital art exhibition presented within international creative summit of Inspire Turkey project in collaboration with European Union and Türkiye’s Ministry of Industry and Technology showcasing internationally acclaimed Turkish artists working across a wide spectrum of digital practices from VR and game design to AI generated works and performance. Each artist is a distinct force within their medium pushing the boundaries of form technology and expression the exhibition not only celebrates their journeys from local recognition to global platforms but also explores the dissolving borders between the physical and the digital the local and the global and the space is between disciplines. These artists combine a diverse styles and technologies forging new languages of creativity and in increasingly hybrid world.

“AURORAE” Immersive Exhibition 

13 – 30 Mar 2025, London 

The immersive art exhibition Aurorae, by global curatorial initiative capitArtX, reimagines Womanhood as an inclusive and expansive concept, showcasing artists of all gender identities and reflecting diverse expressions and perspectives on femininity. Featuring a remarkable lineup of global artists, the exhibition combines innovative digital technologies with surprising physical artworks to present unique narratives of womanhood through a vibrant and colourful aesthetic, offering a dynamic experience for contemporary art audiences. With bold colours, immersive visuals, and sophisticated storytelling—using mediums ranging from Virtual Reality to AI-generated art—the artists explore compelling themes such as ecology, human-machine interaction, and identity from a feminine perspective. Here, art and technology intersect, providing a fresh perspective on how femininity takes form in the digital age. This exhibition serves as a global expressive ground, presenting multicultural established and emerging digital artists alongside with surprising physical artworks.

The exhibition will host an opening reception and artist talks on Thursday, March 13th at 19:00 and until the end of the month it will host a premiere, VR performances, talks, and special screenings throughout the exhibition period.

“AiVERSE” Immersive Exhibition 

11 Feb – 21 Mar 2025, Dubai 

“AiVERSE” is an immersive group exhibition that explores the aesthetics of the future. Featuring works created through the possibilities of Artificial Intelligence, the exhibition presents multiple visions of the future while reflecting on the curious present.

Moving through the realms of architecture, natural habitats, and virtual models, these creations reveal the unique AiVERSE of eight artists.

Unveiling binary concepts such as organic and inorganic, human and post-human, habitat and ecosystem, the artists craft their narratives.

The exhibition unites artworks that employ AI through diverse methods and models, each telling its own distinctive story. This exhibition serves as a global expressive ground, presenting multicultural established artists:

Can Büyükberber, Connie Bakshi, Dilara Başköylü, İrem Çoban,  Jiayu Liu, Mohsen Hazrati, Tatsuru Arai, and Void

GLOBAL

Ethico-Aesthetics of AI 2025

This is a series of online events we will be hosting this year at a contemporary pace. We believe the digital art scene, particularly in light of the profound impact of recent AI developments on creativity, provides a fertile digital ground for global gatherings of diverse perspectives and knowledge to collectively reflect on the historical phenomenon of AI today. Enter the forum here.